EXT. THE NEW CORTLANDT HOMES, DAY
The project is almost complete but workmen are still on site working the snag list and adding finishing touches.
Ann walks up to one of the workmen.
ANN
Is Mr. Keating here?
WORKMAN
Hey Mike, the boss here?
MIKE
On the roof.
Ann starts to head off but the workman stops her.
WORKMAN
The elevator’s working now.
ANN
Really?
He brings her over and calls the lift. Ann looks around delighted at how it’s coming together.
MIKE
Hey, who is it?
The elevator opens and Ann steps in and presses the button.
WORKMAN
The wife.
ANN
I’m not his wife. I’m Ann Kirby.
WORKMAN
Sorry, the girlfriend.
ANN
No, I’m one of the[]
The doors close.
ANN
architects...
Ann looks a little disappointed - but just for moment. As she feels the elevator rise into the sky she can’t help smiling.
EXT. "JUNGLE" GARDEN ROOFTOP, DAY
Ann exits the elevator.
Peter, who is chatting with Gail, waves over to her.
She walks over to them.
Dominique has been looking out at the view. She turns around to join them.
INT. PRISON, HOWARD’S CELL, DAY
Roark is laying on the bed thinking. The image of his old mentor, HENRY CAMERON saying THEN MAY GOD BLESS YOU, HOWARD. YOU’RE ON YOUR WAY INTO HELL is running through is mind.
A guard opens the door.
GUARD
You’ve a visitor.
Int. Prison, Vistor Meeting Area
Howard is brought to a table where a man in a suit is sitting.
VISITOR
Howard Roark, sit down.
Howard sits down.
VISITOR
I see here you’re 18 months into a fifteen year sentence, is that correct?
HOWARD
Yes.
VISITOR
How are you finding prison life?
Howard doesn’t respond though the visitor gives him ample time to.
VISITOR
You’re not easily shaken are you?
HOWARD
No.
VISITOR
Any idea who I am?
HOWARD
No.
VISITOR
I’m the man who can get you out of prison.
Howard just looks at him.
VISITOR
We could use someone who isn’t easily shaken and can read building plans... It’s dangerous. And if you give us a moments trouble, it’s the last thing you’ll do. If you succeed you won’t get any medals or praise ... but you will earn your freedom. What do you say?
Howard looks away for a moment before responding.
HOWARD
When do I start?
Howard’s face breaks out in a smile and they shake hands.
EXT. PARTY AT CORTLANDT HOMES, NIGHT
There is a party with all the residents, dignitaries, etc., and Edee is singing YOU’D BETTER GO NOW.
EDEE
You’d better go now
Because I like you much, too much
You have a way with you
You’d better go now
Because I like you very much
The night was gay with you
There’s the moon above
And it gives my heart a lot of
swing
In your eyes there’s love
And the way I feel it must be
spring
I want you so now
You have the lips I love to touch
You’d better go now, you’d better
go
Because I like you much, too much
There’s the moon above
And it gives my heart a lot of
swing
In your eyes there’s love
And the way I feel it must be
spring
I want you so now
You have the lips I love to touch
You’d better go now
You’d better go
Because I like you much, too much
You’d better go
Because I like you much, too much.
THE END




