The Way I Make It Is

You Can Take Your Fountainhead With You and Swing It!

INT. DINING ROOM OF GAIL’S APARTMENT, EVENING

Gail is seated at the head of a long dining table. Halfway down the table on the right is seated DOMINIQUE and directly across from her is seated BERTIE WOOSTER (David Niven).

GAIL WYNAND

Mr Keating, I have heard so much about you. They say you’re the architect to deliver an instantly recognizable building.

Gail at table
Gail at table

BERTIE

Do they? Do they indeed. Gosh...

GAIL WYNAND

So what drew you to architecture?

BERTIE

Oh. Um. Good question that. - - Lord knows...

GAIL WYNAND

I take it you want this commission?

BERTIE

Oh... Want it? Ah...

DOMINIQUE

It’s the sort of project you’d sell you’re soul for Peter.

BERTIE

Oh is it? Fair enough. Yes. I would sell my soul for it Mr Wynand.

Gail laughs a cold steely laugh.

GAIL WYNAND

That may be the right phrase. Everything in life has its price. In this instance, the price is that you break your engagement to Miss Francon.

BERTIE

You want me to break my engagement to ah... (he gestures over in Dominique’s direction) ...

GAIL WYNAND

You may think what you wish about my motives but that is the condition I demand.

BERTIE

Right... yes ... ah - Dominique?

Bertie at table
Bertie at table

DOMINIQUE

I’m not going to help you. I’d like to see it decided between Mr. Wynand and yourself.

BERTIE

Right. Right. But ... ah ... you wouldn’t have a problem with it ah - in theory ... as it were?

DOMINIQUE

The choice is yours. Our engagement helped you to become my father’s partner...

BERTIE

Did it? Did it, really? Good Lord. The fascinating world of business intrigues, what!

DOMINIQUE

Of course Mr. Wynand’s patronage will help you much more.

BERTIE

Will it? Ah... OK... But just to be clear, you’re happy to end the engagement? No hard feelings and all that? - Wait, this isn’t some joke is it? Pretend to be cold-hearted giants of the business world for the clueless Woos[] - architect?

Bertie starts acting like a groaning big menacing giant in his chair for a moment.

BERTIE

Aargh!

GAIL WYNAND

Mr. Keating, I never joke. I grant you that I’m behaving abominably. It’s extremely cruel to be honest.

Bertie looks at him blankly for a moment.

BERTIE

Ah... right ... well, ... not sure if there’s anything else I need say or do here...

GAIL WYNAND

It’s simple. You’re supposed to slap my face. You were supposed to do that several minutes ago.

BERTIE

Ah...

GAIL WYNAND

No? You don’t wanna do that? Of course, you don’t have to and you don’t have to accept. Would you rather refuse the commission?

BERTIE

Oh, um... no? Should I? I don’t know? Probably not if I’d sell my soul for it. What do you think Dominique?

Dominique just glowers at him.

GAIL WYNAND

Fine Mr. Keating. Now I think it would be best if you left. Call up my office in the morning, and we’ll sign the contract.

Bertie looks down at his drink a moment but then shrugs.

BERTIE

Righto!

He stands up and looks around awkwardly for a minute.

BERTIE

Well... the course of true love never did run smooth and all that. Right, well, toodlepips then.

A servant is standing by the door with Bertie’s hat, walking stick and coat ready.

Bertie leaves.

DOMINIQUE gets up and poses by the wall looking, as ever, slightly anguished.

Gail goes over and stands behind her.

DOMINIQUE

Why did you do this? Did you believe I’d agree like Peter? Did you expect to win me by your usual methods?

GAIL WYNAND

Of course not. I merely wanted to show you that all men are corrupt, anyone can be bought. And that you’re wrong in your contempt for me. There is no honest way to deal with people. We have no choice except to submit or to rule them. I chose to rule.

She turns to him.

DOMINIQUE

A man of integrity would do neither.

GAIL WYNAND

There are no men of integrity. I have many years behind me to prove it. I was born in Hell’s Kitchen. I rose out of the gutter by creating the Banner. It’s a contemptible paper, isn’t it? But it has achieved my purpose.

DOMINIQUE

What was your purpose?

GAIL WYNAND

Power.

DOMINIQUE

Why are you trying to justify yourself to me?

GAIL WYNAND

I wasn’t trying to jus... Yes. That is what I was doing.

DOMINIQUE

Why?

GAIL WYNAND

I think you know it.

He leans in and kisses her and she stays still like ice.

Gail kissing Dominique
Gail kissing Dominique

DOMINIQUE

You see? I suppose I’m one of those freaks you hear about. A woman completely incapable of feeling. I got engaged to Peter Keating because he was the most safely, unimportant person I could find. And I knew I’d never be in love.

GAIL WYNAND

Haven’t you ever loved anyone?

DOMINIQUE

No, and I never will. If I fell in love, it’d be like the statue of the Greek god again.

GAIL WYNAND

I know it. I accept it. I want you to marry me.

DOMINIQUE

If I ever decide to punish myself for some terrible guilt I’ll marry you.

GAIL WYNAND

I’ll wait. No matter what reason you choose for it. Will you let me see you again?

DOMINIQUE

I’m leaving the city in a few days.

GAIL WYNAND

Where are you going?

DOMINIQUE

To Father’s place in Connecticut. I’m going there so I won’t have to see anyone.

GAIL WYNAND

What are you really seeking?

DOMINIQUE

Freedom: to want nothing, to expect nothing, to depend on nothing.

Gail moves in to kiss her again but she breaks free of his embrace and runs out of the apartment.

EXT. CITY STREET, NIGHT

Bertie is sauntering down street look very dapper and not in the least concerned by the broken engagement.

BUNNY PHELPS (Margaret Lockwood) recognizes him.

BUNNY

Bertie! Bertie Wooster!

BERTIE

Bunny! Bunny Huntingdon! Well, well, well... As I live and breathe. What are you doing here?

BUNNY

It’s Bunny Phelps now dear and I live here. What’s your excuse?

Domnique comes running out of the apartment building and stands there a moment looking anguished. Bunny is momentarily distracted by her. Bertie follows her gaze and visibly starts when he spots Dominique.

BUNNY

Bertie?

BERTIE

Ah... TAXI!

A taxi comes to a halt beside them.

DOMINIQUE who is striding up the street, but still a few feet away notices them.

DOMINIQUE

Peter?

Bertie visibly starts again. Without turning around he bundles himself and Bunny into the taxi.

BUNNY

Bertie, why is that woman calling you Peter?

BERTIE

Harlem. And drive as if Peter’s life depended it.

TAXI DRIVER

(turning around)

Who’s Peter?

BERTIE

JUST DRIVE!!!

Bunny distracted by Dominique
Bunny & Bertie

All the stories

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Foggy Days
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You Can Take Your Fountainhead With You And Swing It!
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The Grass Snake of the House
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Adventures in Hoboboloolaaba Land
the mistaken
The Mistaken
About twimii
Rabbit, Twimii, Ted and Cow

About Twimii & the gang

Who is Twimii? What´s the deal with the toys? Are the recipes really made by a fluffy cow?

Parts 4 - 10
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Part 4

At the masquerade ball.

Peter hung on the phone
Part 5

After the ball.

howard-talking-with-businessmen
Part 6

The intriguing world of business.

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Part 7

Dominique throws her beloved statuette out the window.

Bertie at table with Wynand and Dominique
Part 8

Bertie at table with Mr Wynand and Dominique

Rosie talking to Mr Lloyd, with Edee in the background.
Part 9

At Totts of Harlem.

Howard and Dominique see each other.
Part 10

Dominique and Howard have their first encounter.

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